PERSONALIA
Inge Reisberman (NL, Almelo, 1959)
EDUCATION
AKI Academy of Art, Enschede, painting, 1984-1989
UPCOMING
After lockdown: Rijksmuseum Twenthe – ‘Na de jacht’
06-07/30-11: Commision Amnesty Leiden – Daily Bread
02-07/01-10: Paviljoen Welgelegen Haarlem – Counterpart
10-07/08-08: De Vishal Haarlem – Slow Movements
August: Dubbelportret docu with Aeham Sadoon
SELECTION PRESENTATIONS/SHOWS
(most group shows)
2020
Le Guess Who, international video broadcast
Art-Gallery O-68 – Velp – ‘Noise Reduction’
Art-Gallery O-68 – Velp – ‘Ontgrendeld’
Kadmium – Delft – ‘Metamorphosis’
De Meelfabriek – Leiden – première ‘Closing Time’
2019
Rijksmuseum Twenthe – première ‘Respice Finem’
De Vishal – Haarlem – ‘Continuüm’
2017
Museum De Lakenhal/LUMC galerie – ‘Natuurlijk’
WTC Gallery/Oscar cinema – R’dam – ‘Hemisfeer’
Rijksmuseum Twenthe – Collectie Wilploo
Lisfe Short Film Experience – ‘Dialogue#1’
2016
Rijksmuseum Twenthe – Collectie Wilploo
Lisfe Short Film Experience – non-objective videos
This Art Fair- Amsterdam – ‘Natures Mortes’
Lowlands/Museum De Lakenhal – screening
2015
Stedelijk Museum Schiedam – Collectie Wilploo
De Meelfabriek – première ‘Natures Mortes’
Galerie 37PK – Haarlem – Masterclass 3D results
KCB/Kranenburgh – Bergen – ‘KCB & de Hallen’
2014
Museum De Lakenhal – ‘The Big Draw’
Berlijn – ‘2014 Project Berlin’ – video
Pulchri GrafiekBiënnale – XXL video on print
Zandvoorts Museum – ‘The Elements’ – videos
2013
Museum De Lakenhal/De Meelfabriek – Leiden
1989 – 2011
Painting and photography.
From 2011 focus on video and video installations.
ABOUT
Inge Reisberman (Almelo, 1959) graduated from the AKI Academy of Art in Enschede.
She lives and works in Leiden (NL).
Her work covers the fields of animations, video, video installations, ranged in the ‘slow cinema’ area. Her videos are about perception of time and space and are often based on biblical themes. In longshots she uses substances like flour, salt and water, mostly in an industrial environment. She usually works in series, taking time to connect the substances to the narratives she wants to reveal.
Her video installations are characterized by a balanced relationship between poetry and rawness, between craftsmanship and imagination, in which content and environment come together in a conceptual and sensory way.
The carefully constructed accompanying sounds boost the intense experience of the film in a subtle, but present way. The videos take the viewer into a state of utter concentration and are enchanting in their simplicity.
(text about videoseries Natures Mortes: Museum De Lakenhal)
WORK ACQUIRED BY
Museum De Lakenhal
https://www.lakenhal.nl/en/story/acquisition-video-triptych-inge-reisbermann
Rijksmuseum Twenthe
https://www.mondriaanfonds.nl/gehonoreerd/hedendaagse-kunst-in-de-collectie-van-rijksmuseum-twenthe/
https://www.rijksmuseumtwenthe.nl/content/2434/nl/inge-reisberman-respice-finem
Collectie Wilploo
https://www.rijksmuseumtwenthe.nl/content/954/nl/ingrid-blans-schenkt-opnieuw-aan-rmt
Collectie DUO, collectie Vrijdag, private collections